A red,green or blue button — an invitation to interact.
If the visitor presses the button, the system runs a sequence.
If the result meets the internal conditions, a unique artwork is generated and printed in the screen.
Artwork winner
Game Theory is part of the collection of machines “ Soliloquy of a Dying Block“
These machines are not passive tools but active protagonists, witnesses and performers in digital creation.
Each sculpture breathes, burns, computes, and inscribes. Each one is both a body and a philosophy.
In an era where art is no longer confined to the material, but exists simultaneously in the ephemeral realm of code, we must ask:
Who, or what, is the artist?
When creation is automated and value is encrypted, what remains of human intention?
What role does the machine play, not as a tool, but as a co-author?
This is the foundation of Soliloquy of a Dying Block, a sculptural series that stages machines not as passive instruments, but as protagonists. They are both witnesses and performers in the ritual of digital creation. These are not inert objects; they are active systems. Sculptures that breathe, burn, compute, and inscribe.
Each one is a body. Each one, a philosophy.
especially evident in works like Klimt’s «Portrait of Sonja Knips,» which parallels Itō Jakuchū’s «Golden Pheasant and Bamboo in Snow,» deeply influenced my creative process. Embracing this fusion of Eastern and Western artistic traditions, I integrate the delicate balance of colours, patterns, and symbolism from Japanese art into my digital canvases.
Artwork winner
Game Theory is part of the collection of machines “ Soliloquy of a Dying Block“
These machines are not passive tools but active protagonists, witnesses and performers in digital creation.
Each sculpture breathes, burns, computes, and inscribes. Each one is both a body and a philosophy.
In an era where art is no longer confined to the material, but exists simultaneously in the ephemeral realm of code, we must ask:
Who, or what, is the artist?
When creation is automated and value is encrypted, what remains of human intention?
What role does the machine play, not as a tool, but as a co-author?
This is the foundation of Soliloquy of a Dying Block, a sculptural series that stages machines not as passive instruments, but as protagonists. They are both witnesses and performers in the ritual of digital creation. These are not inert objects; they are active systems. Sculptures that breathe, burn, compute, and inscribe.
Each one is a body. Each one, a philosophy.
especially evident in works like Klimt’s «Portrait of Sonja Knips,» which parallels Itō Jakuchū’s «Golden Pheasant and Bamboo in Snow,» deeply influenced my creative process. Embracing this fusion of Eastern and Western artistic traditions, I integrate the delicate balance of colours, patterns, and symbolism from Japanese art into my digital canvases.
About the algorithm
The algorithm inside Game Theory is called “Chromatic Aberration”, it takes its name and conceptual backbone from the optical phenomenon where light, split by a lens, fails to converge into a single focal point, fracturing into spectral edges of red, green, blue, and yellow.
In traditional optics, this effect is considered an imperfection. Here, it becomes the central aesthetic gesture.
Each artwork simulates the dispersion and misalignment of color wavelengths, replicating how light separates when passing through imperfect glass. Using a custom-coded system of procedural forms, layered patterns, and programmed RGB shifts, the works recreate the feeling of perceptual distortion: vibrant edges offset, glitch-like drifts in alignment, and warping chromatic trails.
While grounded in scientific behavior, Chromatic Aberration ultimately aestheticizes technical failure, transforming a flaw in light transmission into a visual language of rhythm, tension, and color interference.
Master Prints
The Game Theory is connected to a limited edition of 5 prints, each with 20 copies, created in collaboration with Gamma Marketplace, which will be available at the Bitcoin Conference 2025 event.
